Original candyland characters pictures
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If Broomhilda’s true past were revealed, her role in the film would have been more relevant. These initial portrayals of her downplay her character. When we first meet her, she is shown naked after leaving a “hotbox”, and a few scenes later, she is forced to undress during dinner to reveal the scars on her back. Broomhilda exists in the film only to be liberated by Django. Tarantino chose to exclude this information in order to draw the majority of the attention to Django’s individual journey and the excitement shown when he gets reacquainted with her. The original script of the film describes exactly how she became a component of one of the largest plantations in the south. Broomhilda’s slave trade records indicate that she is currently working in Candyland, although Tarantino leaves her initial arrival there a mystery. The entire film focuses on their humorous and adventurous journey, until they eventually reach their final destination, Candyland. Schultz is out to kill and also the slave owners who stole Broomhilda away from Django at the Greenville Slave Trade. The two go cross-country searching for the Brittle Brothers, the men Dr. Schultz, a German bounty hunter who buys Django and teaches him his ways. The mission in Django Unchained is to locate and save Django’s wife, Broomhilda, whom he was brutally separated from at a slave trade market. Both of the main female actresses in Django Unchained and Pulp Fiction are buried behind the predominant male characters, although looking deeper into the films, the importance of Broomhilda and Mia’s roles are displayed. The second essay targets the use of heroin in Pulp Fiction and how the resurrection of Mia Wallace is not the appropriate way to revive an overdose. My first paper focuses on the true history of how Django’s wife, Broomhilda Von Shaft, became a member of Candyland, a scene that was found in the original script, but eventually taken out of the final product. When comparing both of my essays, the main similarity is the absence of feminism in these Tarantino films, but the hidden importance of the roles of the strong women in these two productions. These two films feature males as the primary, lead characters, while allowing the female roles to take a back seat. Quentin Tarantino demonstrates a lack of visible feminism in his films Django Unchained and Pulp Fiction.